The Music Plays On — John Adams El Niño

Twenty years ago, John Adams’ nativity oratorio, El Niño, premiered at the Théâtre du Châtelet in Paris with soloists Dawn Upshaw, Lorraine Hunt Lieberson and Willard White, a vocal ensemble from the Theatre of Voices — countertenors Daniel Bubeck, Brian Cummings and Steven Rickards), the London Voices, La Maîtrise de Paris, and the Deutsches Symphonie-Orchester Berlin, all conducted by Kent Nagano. Peter Sellars’ incredible libretto includes text from the King James Bible, the Wakefield Mystery Plays, Martin Luther’s Christmas Sermon, the Gospel of Luke, and several gnostic gospels from the Apocrypha, as well as poems by Rosario Castellanos, Sor Juana Inés de la Cruz, Gabriela Mistral, Vicente Huidobro, Rubén Darío, librettist Peter Sellars, and Adams himself. He also quotes Gabriela Mistral’s “The Christmas Star” and incorporates a choral setting of “O quam preciosa” by Hildegard von Bingen.

El Niño follows the typical storyline of Jesus’ birth, however Part I focuses on Mary’s perspective while in the stable in Bethlehem, and while Handel’s Messiah is certainly a model for Part I, using women’s voices was of paramount importance to Adams and Sellars

The idea of incorporating Hispanic texts into the libretto came from Peter Sellars, who I’d asked to help me construct a libretto. We both call California home, and the intensity and genuineness of…